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The Journal of the History of Ideas Blog

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Art History

Cups with Memories: Ainu Lacquer and Skeuomorphs

By guest contributor Christopher B. Lowman If you have a smart phone handy, take a look at your phone application icon: when was the last time you saw a receiver shaped like that? Even the language associated with phones reflects… Continue Reading →

The Great Art

By guest contributor Adrian Young One can hardly imagine a more audacious ambit for a museum exhibit than that of the Staatlische Museen zu Berlin’s new show, Alchemy: the Great Art, now at the Kulturforum. In the curators’ words: “Alchemy… Continue Reading →

Evolution Made Easy: Henry Balfour, Pitt Rivers, and the Evolution of Art

by guest contributor Laurel Waycott In 1893, Henry Balfour, curator of the Pitt Rivers Museum in Oxford, UK, conducted an experiment. He traced a drawing of a snail crawling over a twig, and passed it to another person, whom he… Continue Reading →

High Fidelity: Jean Starobinski’s Critical Hermeneutics

by guest contributor Emelyn Lih The work of Swiss literary critic, hermeneut, and historian of ideas Jean Starobinski can be characterized by its dedication to depth and diversity: diversity of periods explored (from Montaigne to Baudelaire to Claude Simon, to… Continue Reading →

Russian Art 1917-1932 at the Royal Academy, London

by guest contributor Audrey Borowski The imperial red hits you as soon as you enter the Royal Academy’s latest exhibition, “Revolution: Russian Art 1917-1932,” which sets out to explore the frenzy that gripped the Russian artistic scene between 1917 and… Continue Reading →

Please Return to the Stenographic Department

Like a literary manuscript in a publisher’s office, screenplays face rounds of revision and annotation in the motion picture studio.  In the photograph above, someone holds a draft script for The Lady Eve, marked up with notes in several hands…. Continue Reading →

Indefatigable Polyphony, or Alexander Kluge’s Narration in Complete Thoughts

by guest contributor William Stewart Consider the oeuvre of the German filmmaker, writer, theorist, and general aesthete Alexander Kluge (b. 1932), and the word indefatigable springs to mind. The scale of Kluge’s work—thematics as much as sheer expanse and literal… Continue Reading →

Meet the Collected Past: “The Keeper” at the New Museum

by Erin McGuirl Whose stories are told in museums?  And how are they told? “The Keeper,” an ongoing show at the New Museum that is a tonic to the eye and the soul, addresses these questions and raises even more… Continue Reading →

Images of history

by John Raimo As often as historians and art historians talk past one another, they also come together before common problems, questions, and sources. Both groups recognize the sheer power of images. Such a moment has reappeared in intellectual history…. Continue Reading →

Fortune. Failure. Fetish. Fest. Aby Warburg’s glorious Nachleben

by guest contributor Dina Gusejnova Aby Warburg (1866-1929), the philosopher of culture, art historian and psychopathologist of modernity extraordinaire, famously described himself as an “Amburghese di cuore, ebreo di sangue, d’anima Fiorentino.” Having renounced the inheritance of his father’s bank,… Continue Reading →

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